Archive for the ‘Featured Guest’ Category

Interview with Holly DeWolf

January 8, 2010

Today we have a special treat Diners, an interview with illustrator, writer, mentor, and teacher, the always inspiring Holly DeWolf. So grab a seat at the counter, get ready to talk the creative talk over a cup of coffee, or three.

Welcome to the Doodle Diner Holly, how do you take your coffee?
I love my coffee strong, hot and with a little cream please. I’ll need a big mug! 🙂

How did you come up with the idea to write a book about breaking into the illustration business?
This book came out of few places. First, I saw a need and decided to take on the challenge. Like many illustrators I was frustrated after I left school. I had more business and self-employment questions than answers. As time went on I soon realized I was not the only one. I decided to research the industry and discovered a love for it. From that came a willingness to chat about it. I guess that is how the mentoring thing came about. Secondly, I needed to shake up my own career. I had hit a point in my creativity where I needed a ‘creative sabbatical’ so to speak-I needed to reinvent myself or kick my career into another direction. Instead of waiting for the opportunity to come to me, I decided to make the opportunity myself. Lastly, finger injuries have a funny way of forcing your hand in strange ways. A bad day and a bad run in with a dog left my right hand in such bad shape that I could barely hold a pencil. My career was up in the air and I needed to think quick. After the dog incident I surprisingly became very fearless and what better way to use that energy than sending out a book idea! It all made sense!! Ha!

You are an illustrator, writer, mentor, and teacher, do you enjoy one role more than the others?
Naturally illustration is my first love and creative passion. I could never give up painting. I really enjoy chatting about illustration and creativity either casually or professionally. To me I love seeing and helping talent on the verge of greatness.

But naturally, we creatives are great at many things so when creative opportunities arise we can try them with ease. Often times when we realize there are few rules to creating or rules to this career for that matter, it frees us up to be open and relaxed with the concept of new things. So to me I am big on trying anything for my work either professional, personal or promotional. I guess this is why I try to throw in a creative hour daily to shake things up. This is a no rules, no plans kind of event. Often trying new ways of working adds to my illustration process through discovery and often through making mistakes as well.

You interviewed so many illustrators for your book, did that inspire any changes to your own creative process?
Yes it did. I have always wanted to combine my painting with digital so I am inspired to try that. Also, I am inspired to try some new markets for my work and perhaps think about an art agent come the future. I love being on the verge of a new creative experience. With that said, when the book came out came a need to teach and put on a gallery show. Reinvention is a large part of creativity so to me its all part of the package of this very interesting career I am so lucky to be a part of.

Do you have a different creative process for writing than when you are illustrating?
I think because I am narrative based the transition was a comfortable one. The notes that I make to come up with concepts were very similar to how I created the book. One big difference was time of course. I know how long certain concepts take as well how long painting takes. Writing a whole book was time consuming and this involved much shuffling of my schedule so much so that at one point it was all I could realistically focus on. Sometimes you just have to do what is important right now and then tell yourself that it’s good enough.

The nice thing about writing a book is that is in sections-chapters that is. So having a theme for each step along the way helped. I like choosing themes and often do this in my work especially when doing personal/promotional work. What the book did teach me is the concept of just rolling with it and letting go. This change was good for me. We often try to control our creative process. Rolling with ideas allowed me to just be free and open to all possibilities. The book changed me in many ways. It was exactly what I needed to do at this point in my life.

How long did it take to write your book?
It took me approximately 14 months to write the manuscript including adding contributing illustrators and illustrations plus editing, alterations and proofing. It was a labour of love though. I enjoyed every minute of it. And I want to do it again very soon.

Can you share any advice for illustrators that may be considering writing their own book?
A good approach is to break down your book submission into sections. First, I would have a definite concrete idea. Then, define your purpose, your theme, your audience, a possible title, and your inspiration. Give your dream publisher something to work with such as an introduction or a table of contents. Some publishers want to get a grasp on how you write and also the ‘voice’ of your book so provide a chapter or more. Send a Bio along with enough information that is relevant about you and your career, experience and whatever else will be useful towards the book.

Another word of advice is this: look for opportunities. Look for a need, a gap, something unique and fill that void. Sometimes opportunities are missed because many are not paying attention to what is missing and more attention is placed on what has already been done. Set yourself apart by looking at what this industry needs-a unique creative edge. There are endless books displaying illustrations but if you can create a book that educates, inspires and helps, then you have created something really special.

One of the things that I love about your book is that you’ve drawn insight, and inspiration from so many different sources. Is that something you have always done, or something you learned along the way?
That is definitely something I have always done. To me creativity is contagious-one idea leads to a thought, a visual, a sketch etc. I write everything down. I collect snippets of thoughts, ideas, bits of images, words, quotes, music lyrics, you name it. If it rocks me creatively I make sure I keep it by storing it either in a notebook, bookmarking it on my computer, my cork board, or in an file for future inspiration. Also ideas can be recycled for future projects as well. I believe in keeping an image file. I keep snippets of images for reference. You never know when you may need to illustrate something completely different. I am very narrative based so words are pretty important. I could not live without an online thesaurus. Word play is fun and can help jump start images quickly. These are some of the creative habits that I keep.

It takes a lot of work, and time to break into the illustration business, when did you know that you had finally made it?
I knew I had finally made it when I stopped worrying about making it…make sense? Basically I stopped worrying about accolades, awards, applause, money, my lack of experience, and what other illustrators were doing. I stopped comparing myself to other illustrators. I stopped seeing it as a job and more as a career, a personal creative drive and a process. I went back to basics and re-learned things I was taught in art & design school about loving the process and staying out of the box.

One big challenge we face as illustrators is getting ourselves out of the dreaded creative bubble. Getting myself involved into a creative community also helped me feel connected to my career on a new level. I do believe being ‘on-line’ is one of the greatest assets to illustrators. We now have a voice and a community which is helping this industry come together. The more we write about it, chat about it, mentor, blog about it and showcase it helps make it better for all of us.

You have injected a lot of your wonderful sense of humour throughout your book, can you share a story about a time where having a sense of humour saved the day?
That pretty much describes most days while juggling kids, mess, noise and a very very flexible schedule. One time I was doing a podcast online and I needed my 7 year old to be quiet for me. So I knew she was about to come home and I thought it would be fun to make signs and maps to guide her around the living room to keep her busy and quiet while I was chatting away on this podcast. The first sign was on the stair railing with ‘Shhhh…Working’ on it and another was ‘Mum is a Blabbersationalist….can you spell that out?’ and it went it on from there. In the end I got the podcast done and some really cool art from my daughter. Luckily my 3 year old was asleep at the time. It could have been one of those hair pulling moments but with kids you can problem solve creatively in a pinch when needed. Distractions are wonderful things.

One last note: Sometimes it feels there comes a point in a creative persons life when we should rock the boat…more!! With that said, it does not mean when adopting this new philosophy that it comes smoothly without any bumps and trip ups. Having a sense of humor has really saved me especially on those days when I am pretty sure a mushroom cloud will suddenly appear above my house or when my computer just says No! I truly believe if you can successfully work at home and stay creative without blowing it up…. you can do anything!! Thanks for the interview! Cheers!

I would like to thank our special guest Holly DeWolf, for visiting the Doodle Diner. While I put on a fresh pot of coffee please enjoy the links below, featuring Holly’s brand new book: Breaking Into Freelance Illustration: A Guide for Artists, Designers and Illustrators now available on &

Holly DeWolf online:

Illustration provided by Holly DeWolf. © Holly DeWolf

PRISCILLA BURRIS visits the doodle diner!

November 23, 2009

We are breaking out our finest paper napkins and polishing up the mismatched silverware for this! We’ve been baking pie and brewing coffee so pull up a chair and prepare to indulge! We are so pleased to have the illustrious Priscilla Burris in our humble diner. From all the motley doodlers and our friends, “THANKS, Priscilla, FOR SPENDING TIME WITH US!” (actually, their individual imaginary responses are:
Roberta: “Woohoo! Welcome to our diner!”
Teri: “Today’s pies are blueberry, pumpkin, cherry, and banana cream. Let us know when you are ready to order.”
Kathleen: “We also have fresh berries. I picked them myself this morning.”
Candace: “Thanks so very much for coming!”
Linda: “Here, catch!” (tossing Priscilla a pencil…just in case it is needed!)
David: “Are you gonna eat that pie?”
Mike: slugging David in the arm, “Well, are you?”
Val: “Don’t mind them, and of course, yours is on the house. Enjoy!”

When did you first realize you wanted to illustrate children’s books? Growing up across my neighborhood street from our local public library was where my love of picturebooks began. I was always creating art, doodling and drawing, but it was taking a college course for Early Childhood Education that finally opened my eyes to a career in illustrating children’s books. The final project was, in fact, to write and illustrate a children’s picturebook!

As a child, what were some of your favorite books? Any book by Syd Hoff was a favorite of mine. Beverly Cleary books.

Who are some of the artists and/or authors who inspire you? Artists: Syd Hoff. Margaret Bloy Graham. Mark Buehner.
Authors: Jill Barklem (Brambly Hedge Series), Bill Martin, Jr., Dav Pilkey, Daniel Pinkwater

People probably ask you “How long does it take to paint one of the pages?” The best answer I heard for this came from an art teacher. Someone asked him how long it took to make a painting. He said, “My whole life up to that point.” Besides the paintings taking “your whole life” to paint, which in reality, is very true, can you give our readers an idea of how long it might take you to complete the artwork in one of your books? Anywhere from one month to 4 months for the final art to be completed.

Many of our readers are illustrators that have been working hard to break into the industry, or who have done so recently. What advice can you give them? Persevere. Keep at it. Stay on top of what’s being published, immersing yourself in picturebooks on a regular basis.
Take note on what illustrative work moves or inspires you. Above all, be professional and be You!

In what ways do you feel the industry has changed in the past twenty years?Seems more competitive, both in the number of illustrators submitting as well as in the amount of available publishers

In what ways do you feel it has stayed the same?Quality stories and illustrations that evoke heartfelt, humorous and memorable emotions are still needed out there!

What are your favorite and least favorite things about your profession?Creating and developing the characters is a top favorite of mine, especially illustrating their emotions and expressions!
I always say I can’t not work as an illustrator, because I love doing this so much!
Least favorites would be some of the business aspects, especially when a project is cancelled. Rare, but it happens.

Can you tell us something funny or insightful that a child has said to you during a book-signing or school visit? During a school visit, after reading my ‘Five Green And Speckled Frogs’ to first-graders, one little boy asked me if I also did the pictures for the book,
and when I answered yes, he broke out in a huge smile and said, ‘DANG, you’re good!’.
Another first-grader wrote a note to me that said, “The most interesting part was when you knowed how to be an artist. You are the best drawer in the whole wide world!”

Based on your own experience, and despite popular belief or common teachings, how do you think being an author/illustrator is different from being just an author or just an illustrator in terms of submitting stories to publishers? As an author/illustrator we have the distinct opportunity to submit a dummy as well as a manuscript for our books. We come as one package to the publisher, which is in itself a benefit to both!

One of the great things about this industry is that each artist embarks upon his/her own journey. Almost as amazing is that each book also has a life of its own. Does one of your books have a special story you would like to share with us?The Tale Of Jack Frost (Scholastic, Cartwheel Books Nov 08), written by Marcia T. Jones; This book involved something very unfamiliar to me – frost! It was a delight to work on and research what a little town and a little boy would experience living in a frozen setting. Not only did I find photos of frost, snow, and all things related, I also enjoyed movies that had a ‘snow’ base and setting. Always great to get in the ‘mood’ of a story. Research can be so much fun!

What types of things should artists consider before agreeing to work with an agent?Realize that while an agent can open doors for you that you don’t even know are out there, a professional illustrator should continue to self-promote and network in every way possible. I believe an illustrator ready for an agent ought to have this mindset: “I’m on this illustrator career path, and I’d like you to travel this journey with me”.

Now for the big question! When you visit a diner, what would you be most likely to order from the menu? Strong, hot coffee, a club sandwich, and of course a slice of warm berry pie a la mode!

Thank you for taking time to share your experiences with us. Anything else you would like to add before getting back to your artwork?Other illustrators and authors truly inspire me. I love to visit their blogs and websites, and of course, read their books!

Priscilla’s work can be seen in a variety of places. Here are a few links:

November News!

November 2, 2009

The doodlers in the DINER are excited about upcoming events. This month we will be hosting two amazing interviews. We will be rolling out our imaginary red carpet and folding our best diner-y napkins for:

Maurice Sendak

July 13, 2009